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Cover letter trainer

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ligeia essay Poe's 'Ligeia' and the Pleasures of Terror. The apparent delights with which we dwell upon objects of pure terror where our moral feelings are not the least concerned, and no passion seems to be excited but the depressing one of fear, is a paradox of the heart, much more difficult of solution. 1. This essay appeared originally in Gothic 2:2 (December 1980) 39-48. I have revised it slightly but not substantially in this reprinting. Thanks are due to letter, Gary William Crawford for editing Gothic and tending the flame of Gothic studies. When Joseph M. Garrison, Jr. undertakes to services inc, resolve the ostensible tension between Poe's acknowledged commitment to 'Supernal Beauty' as the letter trainer poetic ideal and his preoccupation - especially in his prose fiction - with horror, madness and those demonic influences which paralyze personality, destroy social bonds and alienate men from spiritual environments, he not only how to essay in academic style, raises a persistently puzzling question about Poe, but also raises by implication a question about the value of cover letter, horror as an artistic effect. 2 Garrison concludes that for services inc, Poe, Horror and terror are legitimate effects when they are calculated to compel the reader to turn his attention and affections from a debilitating and terrifying analysis of the human condition to an alternative - an ideal - in Poe's case, 'the sentiment of Intellectual Happiness here, and cover trainer, the Hope of a higher Intellectual Happiness hereafter' (p, 148).

While such an argument may appeal to admirers of Poe, it remains on the face of it fundamentally unsound if Garrison means that a competent reading of Ligeia, for example, ought to turn the reader's affections from good articles research, horror toward Intellectual Happiness. Cover Letter Trainer. There is a general sense in how to write, which Garrison may be correct about the cover letter trainer reader's experience. A tale of terror may contribute to enhancing a reader's humanity - as do all valuable works of art - by exercising and improving his perceptions and perspectives, his sympathies and self - awareness; only so far may such a tale perform an ethically valuable function. Essay. However, as Garrison demonstrates, connecting such a function with a tale such as Ligeia is no simple matter. Garrison's thesis seems a defense of Poe's Gothicism, a quality often thought of dubious value. Devendra P. Varma's discussions of the critical receptions of cover letter, Ann Radcliffe and Monk Lewis illustrate the how to in academic style kinds of factors that have contributed to a felt need to defend the Gothic by showing its horrors to serve some worthy end. Letter. 3 Radcliffe's reception tended toward the positive because she successfully appealed to her readers' taste for the sentimental (Varma, p. 86) and because one could depend on poetic justice and moral virtue to triumph (p. 91). Because Lewis' The Monk was much less clearly sentimental or didactic, response to the novel was more negative. Even though The Monk contains many didactic elements and presents a world in which poetic justice operates, reviewers often were unable or unwilling to justify the novel's horrors on these grounds (pp.

142 - 48). The tendency to good articles research paper, subordinate the horrors of the Gothic to another end such as the cover sublime (Radcliffe's own justification), 4 or sentimentalism or didacticism is implicit in the receptions of these works. As sentimentalism and the sublime became less interesting or available as justifications, critics tended to turn toward the didactic as a way of making acceptable the horrors of powerful works of fiction. The difference between the receptions of Radcliffe and Lewis is mirrored in the receptions of The House of the Seven Gables and Faulkner's Sanctuary. Chapter Eighteen of Hawthorne's romance is among the more terrifying episodes in nineteenth century American fiction, yet because Hawthorne's moral purposes have rarely been doubted, because the shakespeare essay prevailing opinion is that all his works are moral allegories, and perhaps because this episode of letter trainer, entrapment with a corpse is part of a narrative comedy, this novel has fared well in critical opinion. Essay In Academic Style. But Faulkner's Sanctuary, widely thought a powerful work, appeared at a time when Faulkner was not thought particularly moral and has been vigorously attacked on cover moral grounds. How To Essay In Academic Style. Those who have defended the novel have tended to turn to allegory or another didactic mode as a means of defense. Cover Trainer. 5.

It seems natural, then, that Garrison's defense of Ligeia should try to locate in essay in academic, Poe's intentions a specific and laudable moral effect for the tale of terror. Garrison is not alone in this effort. Stuart Levine and E.W. Carlson are among the more able interpreters of Poe's career who would prefer that stories as powerful and interesting as Ligeia and The Fall of the House of Usher not be considered merely tales of trainer, terror. 6 Garrison apparently did not intend to directly raise the professional services question of the value of terror as an artistic effect, but perhaps he should have.

It is natural, both aesthetically and historically, to seek to justify the value of horror and terror as means to cover letter, a didactic end. Garrison's is a highly sophisticated attempt of this kind. But such a justification, as I plan to show, will not do for Ligeia. Therefore, we are forced to consider the more difficult questions raised in the epigraph of this essay: Why do we read horror literature? What rewards does it offer? As one might expect, a fair number of Poe's best known modern critics either do not read Ligeia as a horror story at all or argue along with Carlson that beneath a surface of apparently gratuitous Gothicism is an undercurrent of research paper, meaning that redeems the horror. This undercurrent consists of the narrator's salvation through the transcendant visionary experience offered him by cover Ligeia's return (Poe's Vision of Man, p. 17). 7 Such readings seem the most sophisticated and sophistical attempts to rescue Poe from the prison essay disreputable Gothic. More true to the tone of Ligeia, though still problematic, are readings such as those given by Sidney Moss and G.R. Thompson.

8 These readings originate in three differing conceptions of Poe's career and vision. Carlson sees Poe's career as a clarification of his idealism and the alignment of his technique and subjects to serve that idealism. Moss sees Poe as essentially a nihilist whose stories teach a bleak view of cover letter, man's place and fate. Research. Thompson sees Poe as a romantic ironist, who willfully believes in his idealism, but is able at trainer, will to stand back from in academic style, it and even to contemplate the likelihood that what he chooses to believe might be false. According to Thompson, Ligeia leads the reader first, into the world of supernatural horror, and then out of that world into a world of mental horror, and then, out of that purely mental world into a limbo region of cover trainer, ambiguity where we cannot be sure what did or did not take place ( Poe's Fiction, p. 104). To mediate among these views of Poe is not the articles research intent of this paper. Because Thompson's reading seems truer to cover trainer, what I take to be a normal reader's competent response to Ligeia and because this reading acknowledges that the tale's effect is horror at various levels, I propose to use this interpretation as a basis for examining how the story produces the effects of shakespeare and cleopatra essay, horror, what these effects are, and finally, what might make such effects attractive to cover, normal readers. By what means does Ligeia arouse horror in the reader? At the literal level where most readers begin to understand the story, we find a narrator explaining his mysterious association with Ligeia, a woman of mysterious origin, great beauty, wealth and learning. She engages the albert speer essay narrator in the study of forbidden transcendental doctrine centering on the story's thrice repeated epigraph. The epigraph asserts that the will is mysterious, that God is a great Will pervading all things, and that man dies only because his will is cover, not strong enough to keep him in life.

This central doctrine expresses both despair and hope: Man's will is weak, but if he can merge it with God's will, he might achieve immortality. On this literal and supernatural level, Ligeia succeeds in strengthening her will. She continues her existence beyond the death of her own body and takes a second body, that of the innocent Rowena. In the final scene, we witness the apparent transformation of fair Rowena into shakespeare antony and cleopatra dark Ligeia. This reading is horrifying, but a closer reading on this supernatural level reveals more horrors. What is the meaning of Ligeia's act? Joel Salzberg has taken note of the fact that Ligeia's shrinking from the letter narrator's touch after her reincarnation suggests her aversion to him, an aversion inconsistent with the love she expresses for professional services, him when she is trainer, dying. Research Paper. Salzberg sees Ligeia becoming what she most feared, the Conqueror Worm . (living) only cover letter trainer, through the death of Rowena, returning to him as a spiritual nullity in a grotesque rebirth. 9 Other details of the story suggest deeper horrors. Ligeia possesses the knowledge of the ages, beyond the learned narrator's ability to conceive. He cannot remember how he came to how to write in academic style, know her.

He knows nothing of her ancestry, not even her last name. Her face and eyes are unforgettable. The latter arouse in him feelings he cannot interpret but which numerous other objects also arouse, objects such as the glances of unusually aged people, a few distant stars, rapidly growing plants, and the passage that is the story's epigraph. One implication of his observations on her eyes is that they reflect the will that refuses to die. She binds him to her with her incredible knowledge and mysterious beauty.

At her death, she fully reveals to him a love that amounts to idolatry. She leaves him great wealth. After her death, he surrenders his will to whatever forces will move him - and what results? He becomes a slave to cover trainer, opium, buys an isolated home and buys a new bride. Their bridal chamber is a pentagonal room decorated by the narrator with magical designs. Essay In Academic Style. Here Rowena soon falls ill and, not long after, dies on trainer a night when the narrator both feels and desires another presence in research, the room and thinks he sees ruby drops fall into Rowena's wine. One need not be convinced by trainer this compiling of detail, but it does not require an overly active imagination to take the how to write essay in academic style hint that Ligeia has taken more than one body in her time and that she uses men such as the narrator without their knowledge to procure the bodies she needs for reincarnation. Ligeia is like the Conqueror Worm of her poem. In the poem, the angels watch the tragedy of Man in trainer, which human life consists of the write essay in academic pursuit of an ever sought never caught phantom, the letter trainer pursuit a puppet show controlled by formless things, a show that ends with the entrance of the Conqueror Worm that devours the write puppets most bloodily.

What the trainer worm does to mankind, Ligeia appears to have done physically to Rowena and spiritually to the narrator. How many other men have been her procurers? How many women have been her hosts? She has achieved immortality through feeding on the rest of mankind, dominating their feeble wills with her great will. Shakespeare And Cleopatra Essay. The horror on the supernatural level does not end with the terrifying events we have noticed thus far.

Beyond cannibalism and transformation, beyond the possibility that Ligeia has fed on her kind for ages, and beyond the suggestion in the poem that these acts reveal some fundamental truth about human condition lurk still more horrors. The epigraph implies that the power of will Ligeia seems to cover trainer, have achieved is a reflection of the will of articles, God. This implication forces the reader to conceive a world that is a horror to the understanding. To conceive of this world is to be trapped in a threatening situation, to experience to some degree the frailty of one's own will, and to contemplate the terrifying implications of cover trainer, a desire for immortality. The narrator finds himself in a world where, despite his and Ligeia's desires, death seems to professional writing services, be the ultimate force. Even if a will attains the strength to conquer death, it conquers by causing death, by becoming death. On this literal level, Ligeia is a powerful tale of terror. It presents the reader with a series of horrifying events that, upon examination, opens out into a possible world that is inimical to human needs and cover letter trainer, desires. On this literal level, the horror of incident is deepened by essay a horror of the spirit that should produce varying degrees of terror in the reader. The degree of terror should vary in relation to the reader's perception of the distance between the fictionally presented world and the reader's world. (By terror, I mean the fear that harm will come to oneself.

Horror is one's response to fearing or to cover letter, witnessing harm befalling another sensitive being.) 10 Some terror is inevitable as a result merely of imagining such a world, but this reaction should increase in intensity as one approaches nearer to believing this fictional world a true picture of essay, one's own world. Thompson's other two levels of interpretation will reveal Poe's probable intention of reducing, perhaps even eliminating, the distance between the world of the story and trainer, the world of the reader. As we examine these levels, it will be crucial to keep in albert speer essay, mind that Poe's procedure is not designed to convince readers that the world of the tale is their world by terrorizing them, but rather to terrorize them by strengthening the cover letter trainer illusion that they inhabit the fictional world of the story. Prison Essay Conclusion. We must resist the easy route of choosing a relatively simple didactic end as a justification for the story's painful emotions. Still at a literal level, but moving from cover, a supernatural to a psychological understanding of events, we enter the territory of the apparent majority of critics who see the narrator's reliability as a central issue. Services. It has been amply demonstrated that the narrator's reliability is questionable, especially after he moves to his English abbey and becomes a slave to opium. Cover Letter Trainer. Once the narrator is good, questioned, Pandora's box is open, as is testified to letter trainer, by some strong attempts to reseal the lid. 11 For the antony essay purposes of this paper, two of the problems resulting from the letter trainer opened box seem especially interesting. Articles Research. First, critics begin to wonder just how much of the story is hallucination. Second, they have great difficulty determining the cover narrator's motives.

Does the narrator hallucinate only Ligeia's re - incarnation? Does this hallucination result from his megalomaniac desire to conquer death (Basler)? Does the narrator grow to architecture, hate Rowena so much that he is driven to murder her in order to restore Ligeia? 12 Perhaps. Ligeia is a visionary figure to whom the narrator sacrifices the real Rowena. 13 Joel Porte argues that the entire story is a fantastic projection of the narrator's internal romantic conflicts. 14 Explanations of the narrator's motivation range from seeing him as a ruthless idealist who almost knows what he is doing when he destroys Rowena (Salzberg, pp. 112 - 114) to seeing him as a helpless victim of a world drained of letter, its power to arouse joy and speer architecture essay, a sense of elevated being (Gargano, p. 338). These and cover, related interpretations lead almost directly to Thompson's third level of meaning, but before turning to that level, let us examine how the psychological level of Ligeia intensifies the writing inc reader's terror. What happens to a reader who discovers that the story he has been understanding as a supernatural tale may, in trainer, fact, be a psychological study of the narrator? It seems natural to move from prison conclusion, relatively simple acceptance of the cover narrator to growing doubt about his reliability.

This gradual movement increases the reader's terror by decreasing his distance from the horrifying events. Thompson has pointed out that doubting the narrator opens an ironic distance between the reader and the narrator as it becomes clear that the narrator is closely involved in professional writing, the eerie events. ( Poe's Fiction , p. Cover. 81). Essay. This observation overlooks the dynamic of the reader's transition from the supernatural to the psychological level of understanding. Letter Trainer. On the supernatural level, the narrator is the victim of inimical forces beyond his ken. Furthermore, it is the nature of first person narration to create a strong bond between reader and narrating character. When the good articles research paper supernatural events begin to change into psychological symbols, the reader is more likely to letter, abandon the supernatural world view than his closeness to the narrator. With the disappearance of the supernatural, the narrator's world becomes more like the reader's world. The distance between reader and narrator is reduced. At this stage of the transition between levels, the narrator's victimization becomes a puzzle for the reader.

If the narrator is not the victim of a terrifying universe represented by speer Ligeia, of what is he the victim? The most immediate answer would seem to be that he is the victim of his desire for cover trainer, assurance of his soul's immortality. He has attempted to imagine a victory over mortality, but the vision he has achieved is a horror. Rubric. To the horror already evoked by the failed quest on the supernatural level is added the failure of imagination on the psychological level. The reader witnesses the spectacle of a sensitive mind unable to imagine an escape from an oppressive world order, an order that refuses to trainer, grant transcendental assurances and informal essay marking, that perverts or defeats the imagination by letter trainer making it a mocking torture to its possessor. A key phase in the reader's shift from the first to the second level of good research paper, meaning is this moment when the cover letter trainer great differences between the essay in academic narrator's world and the reader's world disappear while the bonds between their minds remain. The narrator becomes a fellow sufferer seeking certainty and power in an unsympathetic universe.

Distance does open up between reader and narrator when the reader begins to suspect that the narrator is trainer, a murderer or a psychotic, but the critics who prefer such readings are perhaps too quick to leap that distance, for such readings are more properly later developments in a reader's experience, products of a further turning over of the tale in the mind. Once one begins to doubt the albert speer narrator, one is bound to cover letter trainer, see the possibility of reversing one's moral judgment of him. Services. Since the reduction of distance between the reader and the text intensifies the reader's terror, it will be a natural reaction for trainer, readers to increase their distance from the text by revising their judgments of the narrator. As we have seen, the motives one then attributes to the narrator can vary widely. He may be a megalomaniac murderer, a man destroyed by marking rubric his commitment to the ideal, a frustrated lover, or a frustrated seeker after the unknowable. That so many possibilities can be cogently argued may indicate that the text is indeterminate at just the point where many readers might wish it to be determinate. Sidney Moss believes Ligeia is ultimately indeterminate. Noting sketchily a supernatural and a psychological reading, Moss asserts that they cannot be reconciled. These two conflicting readings force the reader to confess that the tale's meaning is indeterminable, . we can say hardly anything about what is really happening . and nothing at all about cover letter trainer its meaning, except that . it is inexplicable (Poe's Apocalyptic Vision, pp. 48 - 49). Moss does not elaborate his argument, but it seems clear he is incorrect in so far as he asserts the incompatibility of the two readings; so one must conclude if, as has been argued here, there is a natural movement in the reader's experience from the essay style supernatural to the psychological level.

But Moss does emphasize two significant facets of the story. First, as the continuing controversy over which of the two levels is primary demonstrates, the move to a psychological level is only possible, not certain. The text encourages such a move but does not insist on cover letter its finality, so Halliburton, for example, can move back from the second to the first level (see note 11). Essay Marking. On this point, the text does not seem determinate. Second, Moss believes this story demonstrates his thesis that for Poe, Man is totally helpless in a universe he has abandoned all hope of understanding. All that man really knows, all he can experience, is terrible torment (p. 47).

While it is probably incorrect that this story is designed to teach any lesson, it is true that Ligeia confronts the letter reader at some point with such a world and the struggles of a sensitive soul to prison essay, make himself a place in it. Ligeia is indeterminate not only with regard to the primacy of the cover letter first two levels but also with regard to the narrator's motives on the second level. This indeterminacy is profoundly disturbing; it propels the reader who successfully exercises negative capability to Thompson's third functional level, that ironic level at which the good paper story mocks the reader. Following the lead of Clark Griffith, 15 Thompson argues several ways in which Ligeia satirizes its readers, but satire is less productive of terror than are the ways in which the text mocks the cover letter reader's attempts to know it. 16 Discovering the narrator's possible unreliability and being forced to explore the essay style implications of this possibility is an unnerving experience for the reader even though it may be mitigated by the excitement of letter, discovery as new possibilities emerge from the text. Writing. But what happens when, in the unsettled excitement of this discovery, the cover story explodes into multiple possibilities? It may be somewhat like reading the more convincing interpretations and being convinced by each in turn over and over essay rubric, again into eternity. The story refuses to cover letter, be known. How To Write. It resists one's attempts to settle on an evaluation of the narrator. Furthermore, it becomes apparent that each choice is a temptation to be done with the tale, to escape the terrifying world in trainer, which one must remain so long as one attends to the story.

What world is this? Precisely the paper world in which the cover letter trainer narrator finds himself, a world that will not yield to his attempts to essay style, know it. Letter. Even when the narrator imagines an ideal order, a world without death, that image turns back on him, mirroring the terrifying nightmare of Ligeia's poem. Is the world diseased or is his mind his enemy? In either case, the result for the narrator is the same. As the world is to how to write essay style, the narrator, the story is to the reader. Stephen L. Mooney's definition of Poe's doctrine of cover trainer, effect seems to apply as well to Ligeia: . the calculation of the and cleopatra artist to involve the reader in cover letter trainer, the life of the fiction, so that an experience of reality would be forged in the consciousness, fully and permanently . Poe is a spiritual aggressor. He moves in upon consciousness like an invading army. If the informal marking effect of reading him is rather like going through a war, we may be sure that it was the effect he intended. The reader does not forget. He knows that Poe has been there.

17. To read this story faithfully is to submit to imprisonment in a terrifying and, in letter, some ways, inescapable fictional world and, therefore, to essay, experience terror as intensely as may be possible for a reader of a fiction. The reader is threatened with becoming like the narrator. Such a threat may stimulate still further the reader's desire to know the unknowable narrator in order to more fully understand the narrator's true relation to the reader. To attempt such a knowing in this state is to prolong one's terror. Ligeia is designed to arouse intense terror in its readers. The greater the trainer attention a reader gives to the story, the more intense will be his experience. In fact, it appears that a careful reading in which this intensity reaches a maximum will move through stages roughly parallel to the stages through which critical interpretation of the antony story has moved and almost exactly parallel to the ascending functional levels Thompson has seen in trainer, Poe's Gothic tales. It is not difficult to articles research, understand why such a reading of Ligeia might arouse skepticism. We have seen that horror is thought to be of cover, dubious literary value as an end.

Worse still, this reading asserts that Ligeia's end is to terrorize the reader. Furthermore, by accepting the reading, one is forced to writing services, consider a most vexing question: why would anyone want to letter trainer, read a story that has such an effect? It would appear that many readers do not want to read such a story, for if, as I have implied, this reading includes and paper, partially synthesizes most earlier readings, then those who insist on the finality of one earlier reading are either denying or attempting to mitigate the tale's terror. 18 I would argue that this story produces in the reader terror as an end rather than a means and that normal people read and reread the story precisely because they enjoy such experiences. To give some credibility to the latter half of that statement, let us take two steps: first a consideration of the technical means by which a story can terrorize a reader and, second, a consideration of how the reader might find pleasure in experiencing such a story. Without the example of cover, Ligeia before us, it would be difficult to assert the possibility of a reader being terrorized by a fiction. Such an informal essay marking, effect may entail the breakdown of the psychical distance that Edward Bullough argues is essential to an aesthetic experience. Cover Trainer. Bullough defines psychical distance as the separation of the object and its appeal from albert, one's own self by putting it out of cover letter trainer, gear with practical ends and needs.

19 If a story terrorizes a reader, it must somehow deliberately reduce or even eliminate psychical distance. Bullough uses an example of informal, a fog at sea to explain the effect of distance. A sea fog is letter, usually frightening; however, during such a fog one can experience a turning of attention in which practical concerns of safety fade away and the fog becomes an object of aesthetic contemplation. This turn opens the fog to a new kind of perception in which its danger may become a part of the experience of its beauty because now the danger is not felt as a practical danger to oneself (p. Antony And Cleopatra Essay. 755). The proper approach to a story is to open oneself to the aesthetic turn and to enter easily into an attitude of psychical distance that the author, with technical skill, attempts to manipulate in letter trainer, order to encourage the reader, in Roman Ingarden's terms, to conclusion, form one aesthetic object from among all the possible concretizations of the text. 20 Once the reader has entered the story and accepted its projections of narrator and world, Ligeia begins to attempt deliberately to reduce and, perhaps, finally eliminate psychical distance, to move the reader out of his aesthetic attitude and into a quite particular practical attitude.

In Ligeia, the practical attitude is letter, mental terror. This effect violates Bullough's antinomy of distance:what is, therefore, both in appreciation and production most desirable is the utmost decrease of distance without its disappearance (p. 758). In Ligeia, Poe tries to make distance disappear. Even though Bullough would tend to blame a loss of prison essay conclusion, distance either on trainer the artist's failure or on the reader's, he does make it clear that loss of distance is possible. Tragedy, he asserts, trembles always on the knife - edge of a personal reaction, and good articles research, sympathy that finds relief in tears tends almost always towards a loss of distance (p. 763).

If the loss is possible, then it is also possible that authors might attempt to exploit the cover potential of how to write in academic, deliberately destroying psychical distance, of switching readers out of the aesthetic attitude. It may be that all or most horror stories seek to terrorize readers at least mildly. Even the trainer explained Gothic of Ann Radcliffe, terrorizes to write essay in academic style, some extent though the distance between reader and terrifying objects is maintained by many technical features of the work, such as the orderliness of the fictional world, the remote settings, the concentration of the horrors on a sympathetic victim clearly separated from the reader, and the conventional reliable narration. Letter. One can observe a trend in Lewis, Maturin, Poe and down to Lovecraft and the twentieth century horror film, of increasing exploration and exploitation of universally terrifying objects. A catalog readily comes to mind: all hostile manifestations of supernatural agency; nearly everything associated with death; the violation of the most basic moral laws against incest, torture, and research paper, cannibalism; and attempts to letter trainer, harm the individual soul. Professional Writing Services Inc. The vivid portrayal of such horrors is likely to reduce most readers' distance from the cover letter trainer portrayal and to threaten them directly. Perhaps a major difference between Maturin or Lewis and Poe is that the former maintain conventional distance while Poe seems to have discovered ways to reduce or eliminate such distance and, thereby, to albert architecture essay, intensify the reader's terror. Cover Trainer. G.R.

Thompson notes that Melmoth theWanderer teases the reader in professional writing inc, a way that points toward the ambiguity of Poe (Gothic Fiction and the Romantic Age, p. Letter. 21). However, the terror (as opposed to the horror) of the reader arises only as a direct response to the horrors that characters suffer. The degree of that direct response depends on how sensitive the particular reader is to the depicted horror. Peter Penzoldt, in his chapter on The Pure Tale of Terror has inadvertently demonstrated the degree to which sensitivities can vary. He finds the tales of Crawford, Machen, and Lovecraft too repulsive to be really good, yet he marvels at how the tales he thinks uncommonly bad are most often anthologized. 21 One direction of antony, refinement the tale of terror seems to have taken is toward techniques, situations, and images that, in Henry James' words, will catch those not easily caught. the. jaded, the disillusioned, the fastidious. 22.

It becomes more plausible to think that Poe might have written at least one story in trainer, which he experimented with the destruction of the albert speer architecture essay aesthetic attitude when one reflects that such experimentation was in the air, especially in nineteenth century America, that the theoretical possibility had been present at least since Burke's definition of the sublime as involving terror in an essential way, and that experiments in didactic fiction, at least as early as Candide had cultivated an interest in using the delights of cover, fiction in the service of practical ends. The attempt to appropriate the pleasures of art to practical moral ends is as old as aesthetic thought and needs no documentation here. One need only notice that with the rise of paper, mass readership and the accompanying extension of concern about the relation of art and public morality, novelists could be expected to seek ways of moving readers into, then out of an aesthetic attitude, to seek ways of telling stories to arouse energies that might then be directed to virtuous action. 23 While it may not be possible to make stories that will have precisely this effect, the attempts to do so, especially those of major Gothic writers such as Radcliffe, Lewis, Brown, Shelley, and Maturin, brought to the fore questions about the aesthetic value of terror and attendant problems of cover letter, distance. Essay Marking Rubric. Most discussions of these questions, according to Samuel Monk, derived from letter, Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, published in 1757. 24. Burke explains how terror is involved in the sublime: Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to antony and cleopatra, say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the letter sublime; that is, it is productive of the strongest emotion that the mind is prison, capable of feeling . Cover Letter Trainer. When danger or pain press too nearly they are incapable of giving any delight, and are simply terrible; but at certain distances, and writing services, with certain modifications, they may be, and they are delightful, as we every day experience (1, 7; Quoted in Monk, p. 91). Implied in this explanation is the cover possibility that the aesthetic attitude toward a terrifying object might break down. Monk also presents Knight's argument that Burke has confused the practical and the aesthetic: To the man who sees the danger in albert speer architecture essay, the storm and who does not fear, the phenomenon is sublime; but the moment that it becomes terrible, the moment that fear comes into the experience, all sympathy with the cause that produced it, and consequently, all relish for the sublimity of it, is at an end.

Practical considerations have destroyed the capacity of regarding the tempest aesthetically (The Sublime, p. 162). In Burke and in subsequent discussions of the sublime is the possibility, undesirable but always present, that someone might find a value in deliberately eliminating the distance essential to cover letter, harnassing terror's energy to the sublime. That experiments with distance were in the nineteenth century air is demonstrated by a few familiar examples. Crossing Brooklyn Ferry is a calculated attempt to eliminate distance between speaker and reader. In The White Heron, Sarah Orne Jewett attempts the imaginative union of how to write style, narrator, character, landscape, and reader. As Richard Poirier has argued, American writers have long been interested in inducing visions in cover trainer, their readers. 25 But for the purposes of this essay, a useful example is the eighteenth chapter of The House of the Seven Gables, Governor Pyncheon. In that chapter, Hawthorne approximates the movement we have seen in Ligeia in such a way as to reveal the springs of the writing inc tale's ability to trainer, attract and shakespeare and cleopatra, please readers. Like Ligeia, Governor Pyncheon captures the reader and provides a terrifying vision of the abyss, a vision virtually the opposite of that offered by Whitman and Jewett. Cover Letter. This chapter begins in a tone of mockery as narrator and reader play the game of pretending the dead judge is alive in order to judge him for his sins and to twit him for his inability to carry out his ambitious and greedy projects. But as we mock the judge, time passes.

The twilight comes glooming upwards out of the corners of the room. 26 We are left in utter, deathlike darkness. Professional Writing. An infinite, inscrutable blackness has annihilated sight! Where is our universe? All crumbled away from us; and cover letter, we, adrift in chaos, may harken to the gusts of homeless wind, that go sighing and murmuring about, in quest of what was once a world (p.241)!

We have been captured in our game and the mockery has turned back upon us. The narrator identifies us with the homeless wind, for we have experienced something like death and now are spirits without a world. We are transformed and entrapped. While time is writing services, no longer of importance to the judge (so we agreed as we mocked him), now we experience it as unendurable duration: Would that we were not an attendant spirit here! It is too awful! This clamor of the wind through the lonely house; the judge's quietude as he sits invisible; and that pertinacious ticking of his watch (p. 242)! When the moon restores some light, the narrator lightens the tone by mentioning the ghost legends of the house.

However, we are again entrapped by his efforts to make a little sport with the legends. His vision assumes a life of its own and cover trainer, reveals more than we know, that the judge's heir is albert architecture essay, also dead. The intended relief intensifies terror and entrapment, We needed relief .. from our too long and trainer, exclusive contemplation of antony and cleopatra, that figure in the chair . yonder leaden Judge sits immovably upon our soul. Will he never stir again? We shall go mad unless he stirs (p. 245)! Several distancing factors, including a certain playfulness in the narrative voice, prevent the degree of reduction of distance in this chapter that one experiences in Ligeia. Still, it is clear that Hawthorne seriously intends to terrorize the reader to cover trainer, some extent, perhaps in order to evoke a deeper understanding of the sufferings of others, especially Clifford and Hepzibah, that the judge lacked during his life and, perhaps, to explore the world implied by the judge's values.

This chapter of The House of the Seven Gables helps to demonstrate that Poe's contemporaries were experimenting with the possibilities of reducing psychical distance and provides one example, in addition to Ligeia, of a movement toward dissolving a previously created aesthetic attitude. This example is useful to informal marking rubric, the further extent that it is specific about what means it intends to use for terrifying the reader. There is an attempt to entrap the reader in the fictional situation, to render that situation frightening via the presence of cover letter, threatening objects, agencies, and events, and to transform the reader psychologically. The threats of informal marking rubric, entrapment, confrontation with the threatening, and transformation are familiar because they are primary means by cover which the villains of albert essay, Gothic Romance terrorize their victims. Cover Letter Trainer. However, Hawthorne and Poe have introduced a new factor. Elizabeth MacAndrew points out essay rubric, that in cover letter trainer, eighteenth - century critical thought, the misery of innocent suffering was thought to call forth the reader's benevolence on behalf of the sufferer (pp.39 - 40). Presumably, when the victim is terrorized, the reader may feel an intensity of pity as a part of the paper suspense that such threats evoke. These effects are often associated with melodrama and are familiar in the films of Alfred Hitchcock; consider, for example, the intensity of suspense and fear for any character in cover letter trainer, Psycho who enters the house alone. MacAndrew also discusses John and Anna Aiken's puzzling over essay marking rubric, what they saw as gratuitous horrors in Gothic fiction.

For them, as for Burke, terror became functional only in trainer, evoking the how to sublime, a response valuable in itself (MacAndrew, pp. 41 - 2). However, when Hawthorne mildly but directly threatens the reader and when Poe makes the reader an actual victim of Gothic terrors, neither of these explanations is adequate. For horror to intensify the reader's sympathy and for terror to serve the letter trainer sublime, distance is essential. Writing Services Inc. When a tale sets out to terrorize the reader directly, it must do so by drawing the reader into an aesthetic attitude; then it must quite deliberately move toward destroying that attitude in such a way as to threaten the reader. This new factor subverts the old aims. To understand why Poe may have thought the experience of terror might be pleasurable to readers, it is helpful to look somewhat closely at how fictional characters are made to letter trainer, react to professional writing services, terror. In the Gothic Romance, heroines often undergo a sequence of events that includes entrapment, a confrontation with some threatening circumstance, and a threatened or actual transformation. For example, in trainer, C.B.

Brown's Wieland, Clara Wieland experiences progressive isolation and multiple physical entrapments that contribute to psycholocigal entrapment in a repulsive social identity. During the good research paper physical entrapments she is subjected to physical threats such as rape and murder and the psychological threats of transformation of social identity and, eventually, of personality. When she witnesses her brother's transformation into a madman, she experiences a profound threat that she will be similarly transformed even should she escape all the other threats. By observing how she reacts to these threats, we may gain insight into what sort of reactions one might expect from a reader threatened in cover trainer, parallel ways by a tale. The central effect of Clara's entrapment in threatening circumstances is the deterioration of antony, her rational powers; a separation of reason and will precedes the disordering of reason.

Alone in her house, Clara has heard from within her closet a voice plotting her murder. Yet on a later night, after she dreams of being murdered, she decides to cover, enter that closet in defiance of a rational evaluation of her position. In her closet she meets a man who says his intentions were to rape her. 27 Like Arthur Gordon Pym, when he is trapped in the hold of a ship, Clara loses control of her will and partially loses her self - possession. Informal Marking Rubric. Poe's novel is even more instructive on this point; Pym, as a result of entrapment, experiences debilitation and loss of orientation. He imagines threatening agencies and, eventually, loses virtually all control over body and mind. The sequence, from entrapment through transformation, causes a progressive disordering of rational faculties in the victims of letter, Gothic Romance. When Clara understands the nature of her brother's transformation, she reflects, I wondered at my brother's condition.

Now was I stupified with tenfold wonder in contemplating myself. Was I not likewise transformed from rational and human into a creature of nameless and fearful attributes (Brown, p. 205)? Following this train of thought to a conclusion, she realizes that her sanity must appear madness to her brother, who has actually heard the voice of God commanding him to write style, slay those he loves. Letter. How can she be certain that he has not heard God's voice? Her rationally ordered world crumbles away leaving her hoping for the comfort of an early death (Brown, pp. 205 - 7). The central Gothic horrors constitute an assault on the integration of the victim's personality. Elizabeth MacAndrew has argued that Ann Radcliffe's novels involve tests of their heroines.

For example, in The Mysteries of Udolpho , Emily's travels are symbolic journeys between different worlds that represent different states of mind she must confront and understand, whether they are in herself or in others . Essay Conclusion. Brought up surrounded by goodness . Emily . Cover. makes out of human wickedness, cruelty, greed, and desperation, a nightmare Gothic world of supernatural evil. This Gothic view is hers, not Ann Radcliffe's. Before she can escape, she must first recognize that Montoni is not a human monster but a bandit. (MacAndrew, pp. 132 - 3) Perhaps a story could attempt to articles, subject a reader to a direct approximation of this kind of test. That Ligeia is intended to try its readers seems plausible.

It is a trial to withstand and deal with a story that leaps over the normal distance between fiction and cover trainer, reader in order to attack the reader. The story may give pleasure because successfully reading it is a test of one's ability to hold together in the face of a world that refuses to articles research, surrender to one's powers of integration. All literature offers, among its many pleasures, those of exercising peculiarly human faculties and capabilities: verbal mastery, the power of forming mental images, sympathy, intensity and variety of emotional response, moral judgment, and, perhaps also, the sense of having the strength to maintain the integration of one's chosen personality. Personality is chosen, not only in letter trainer, the sense that we commit ourselves to values and in academic style, actions that contribute to our identities, but also in the existential sense of moment by moment choice to be one personality (sanity) as opposed to surrendering to alternate possible selves (psychosis). Entrapment, confrontation with horrific threats, and transformation suggest three major psychological threats: claustrophobia and related spatial fears, paranoia, and schizophrenia. Ligeia may be seen as giving the reader some sense of how these psychotic states feel. To the degree that Ligeia succeeds at threatening its reader with these psychoses, it must test that reader's ability to resist such states. It is possible that readers will feel greater pleasure in the exercise of their faculties of integration as the threats they withstand are more direct and intense. And, if the threats prove too intense, the normal reader has available the letter usual defenses, flight and repression. The pleasure of reading a tale that to some degree attempts a direct attack of terror on conclusion the reader derives from the reader's successful exercise of his faculties of personal integration in resistence to the threats posed by cover trainer that story. Speer Architecture Essay. Even though this hypothesis about the pleasure of terror has the value of letter trainer, suggesting that the modern taste for the mental terror that fiction can arouse may not be a disease, it is, nevertheless, certain - to evoke skepticism.

Perhaps the best way of enhancing the credibility of the hypothesis would be to analyze a number of texts with similar effects, but to do so would make this essay too long. However, with the inc help of other scholars and critics, it is possible to suggest that there are other works like Ligeia which to some degree terrorize their readers, that the effect of terror in cover trainer, such works centers on threats to the reader's personality, and that the pleasure that attracts readers to such works derives from exercising the speer personality's integrative faculties to master those threats. The possibility that other works function in letter trainer, ways similar to essay in academic, Ligeia is strengthened if not demonstrated by recalling the critical histories of two other major terror tales, The Fall of the House of Usher and The Turn of the Screw. Each has gone through the same three stages of interpretation from literal supernatural readings, through the discovery of psychological ambiguity, to cover letter, a proliferation of explanations of the ambiguity that seems to suggest that in both works a potentially terrifying indeterminacy emerges from the most attentive readings. 28 Works that attack readers in other ways have a long history and seem, in professional services, contemporary fiction to have increased in number. Philip Thomson demonstrates how since ancient times the technique of the grotesque has produced in readers an unresolvable clash of incompatibles. 29 Mathew Winston has argued that contemporary Black Humor concerns itself with unsettling readers, by deliberately disorienting them, in order to achieve various effects.

30 David I. Grossvogel believes that the modern mystery story attempts to achieve a kind of open-endedness that will make the text into a mystery; the cover letter text offers itself as a deciphering, as another form of the obdurate otherness at whose shifting limits the probing continues. And Cleopatra. 31 He further argues that The Purloined Letter is designed, as we have seen that Ligeia is designed, to entrap or captivate those of trainer, its readers who attempt to informal essay rubric, attend to it fully. Letter Trainer. The more closely The Purloined Letter is read, the more stubbornly does it refuse to yield itself. Shakespeare Essay. This story confronts the close reader with an experience of trainer, reality (Grossvogel, pp. 93 - 109). Prison Conclusion. S.S. Prawer indicates that he and others have been terrorized by horror films. He attempts to explain how the terror works and letter trainer, suggests some ideas about why such an experience may be pleasurable. 32.

In Caligari's Children, Prawer attempts an analysis of the fascination of fear which seems to conclusion, support our hypothesis. He lists and describes the letter fears to which horror films have spoken. He recognizes the general fear of entrapment (pp. 77 - 8) and threatening agencies. The fear of rubric, threatening agencies may include: fear of being possessed (p.

5 1), of invasion of trainer, privacy (p. 52) and of being manipulated against one's will (p. 57), fear of articles paper, those who have defied human limitations (p. Cover. 56), of the dead (p. Professional Services. 68), and of encounters with hostile non - humans (p. 52). He also recognizes the fear of letter trainer, being transformed; among the other fears he mentions, those related to transformation are: of how to write essay, being possessed (again), of the escape of one's inner animal nature (p. 53), of the loss of wholeness of personality (p.

55) and. fear of loss of a rational world (p. 81). Such a list makes clear one point that might easily be misunderstood; the categories of entrapment, threatening objects and agencies, and transformation are neither mutually exclusive nor guaranteed to letter trainer, be all - inclusive. Essay. Barton Levi St. Armand underlines this point in cover letter, The Roots of Horror in the Fiction of H.P. Lovecraft. 33 According to St.

Armand, Lovecraft finds the prison essay conclusion experience of viscosity terrifying because he associates it with the primal slime from which life emerged: To become a part of that (primal) sea without losing consciousness was the ultimate horror of Lovecraft's landlocked world. It was the cover letter triumph of viscosity, the triumph of filth, the triumph of all alien mixtures, and especially, the triumph of alien blood (St. Armand, p. 63). Contained in the concept of viscosity are all three general categories: entrapment in a physical process of deterioration in which one is powerless before the force that transforms one into inc an alien substance. This image of viscosity suggests that the key to the mental terror of fiction is the threat of transformation, for this threat presupposes entrapment and confrontation with a power that is perceived as alien whether it arises from within or from without.

The threat of cover letter trainer, transformation seems aimed directly at the personality of the victim just as the mental threats of psychosis that Ligeia makes are aimed at the personality of the reader. In the words of Lovecraft's Randolph Carter, Merging with nothingness is peaceful oblivion; but to be aware of existence and yet to know that one is no longer a definite being distinguished from other beings - that one no longer has a self - that is the research paper nameless summit of agony and dread. 34. Prawer speaks more directly than does St. Letter Trainer. Armand to the problem of the reader's or the viewer's pleasure in the terror of a fiction.

He goes beyond the usually unexamined assertions that horror or films are somehow thrilling, for he recognizes the good problem of explaining why a thrill of terror should be pleasurable. In his conclusion, Prawer suggests that viewers somehow perceive that horror is good for them: terror - films articulate not infrequently terror at the order we have created or help to uphold as well as the anarchic desires that oppose such order (p. 270). He also says, . the terror - film responds to a need one can also observe in any fairground: the need to be safely frightened, the need to test and objectify and come to grips with one's terrors in letter trainer, a setting of ultimate security, where one can tell oneself at essay marking rubric, any moment: 'It is only a film; these are only cover, actors; this isn't even my own dream, I can get up and leave the darkened cinema to prison, step into a more familiar world at any moment' (p. 48). While it may be true that one is ultimately safe in that one can physically escape the mental terror of a film, it is not certain that one is very safe. The viewer must make his own distance. Cover Trainer. And because the threats are mental, once one has taken in the images, they must be dealt with. Prawer comments on the degree to which distance may be reduced in the cinema (pp. Prison Essay Conclusion. 65 - 6) and, still more interesting, he tells of his own daughter's loss of distance from 7he Exorcist: Age - old fears that alien forces may enter and cover trainer, take over our very bodies help to explain the essay conclusion undoubtedly disturbing effect that Friedkin's The Exorcist had on cover letter trainer a number of susceptible viewers - including my teenage daughter, who had the screaming heebie-jeebees for weeks after seeing that film, but who seems now to have come to prison conclusion, terms with the terrors it articulated for her (p.

51). When a work of letter, terror succeeds in erasing the barrier of distance, it becomes positively threatening to its reader or viewer. Research. But, as another of Prawer's personal experiences suggests, this threat may be just what the reader or viewer sought in the first place. He describes his reaction upon first seeing. Cover Letter Trainer. White Zombie when he was fourteen: the how to write in academic whole added up to an encounter with deep - seated fears from which I felt I emerged with credit. I remember the experience with gratitude as a liberating and cover, exhilarating one. (p. 202). Prawer is not speaking here of being safely frightened, but of being really frightened. He is not speaking of the thrills of terror, even though he most likely felt emotions that could be so named, but rather of professional writing services inc, his own mastery of the terror that the film evoked. Prawer may not wholly agree with these derivations from his presentation, but his experiences seem to letter, confirm the essay idea that the pleasures of trainer, terror arise from the successful exercise of faculties of personal integration in essay, resistance to the mental terrors of the work.

For his more susceptible daughter, the process of mastery extends over some time after viewing the film. One is safe from such a film only letter trainer, because it will end; therefore, if one cannot master its terrors, one can only reassert some form of distanced relation to those terrors either during or after the antony essay film. The latter response is cover, probably much less pleasurable than the former. If the rewards of enduring the disappearance of distance that leads to speer architecture, psychological terror include the liberation, the exhilaration, and the self - praise that Prawer describes, then, surely, tales of terror are valuable. They have not only the ethically valuable effect of helping us to master our terrors, but also the essential artistically valuable effect of pleasing us. 35 Without the latter, there would be no readers or viewers to benefit from the former effect.

Normal people are attracted to terror in literature and film because it legitimately pleases them. In order to be pleased by terror, they must exercise their uniquely human faculties, not only all those faculties that are necessary for the arts of reading and letter trainer, understanding, but also those special faculties for good articles research paper, maintaining an integral personality. Letter. Inevitably, in the pleasurable exercise of professional writing services inc, those various faculties, those people who are terrorized are also humanized. Cover. The pleasures of terror are humane pleasures. 1 Quoted by Elizabeth MacAndrew, The Gothic Tradition in Fiction (New York: Columbia Univ.

Press, 1979), p. 41. Her source is the essay third edition of John Aikin and Anna Laetitia Barbauld, Pleasure Derived from letter, Objects of Terror, Miscellaneous Pieces in Prose (London, 1792), p. 120. There are slight textual variations in the first (1773) and second (1775) editions. 2 Joseph M. Garrison, Jr., The Function of Terror in the Work of Edgar Allan Poe, American Qu arterly, 18 (1966), 137. 3 D.P. Varma, The Gothic Flame (London: Baker, 1957), chapters five and six. 4 Ann Radcliffe, On the Supernatural in Poetry, New Monthly Magazine, NS 16 (1826), 145 - 50. 5 The critical response to albert essay, Hawthorne's works is well known and can be reviewed in letter, B. How To Essay. Bernard Cohen, The Recognition of Nathaniel Hawthorne (Ann Arbor: U of Michigan P, 1969). For attacks on the morality of trainer, Sanctuary see H.S.

Canby, Seven Years Harvest (Murray Hill, New York: Farrar and Rinehart, 1936), pp. 79 - 82, Oscar Cargill, Intellectual America (New York: Macmillan, 1941), p. 378; and W. Lewis, A Moralist with a Corncob, Life and Letters, 10 934), 312 - 28. Speer Architecture. For a pair of less than satisfactory attempts to treat the novel as allegory, see Richard Chase's discussion of cover trainer, George Marion O'Donnell's account of Sanctuary, 7he American Novel and Its Tradition (Garden City, New York: Doubleday, 1957), pp. 237 - 41. For a discussion of Sanctuary as a Gothic novel, see Robert D. Hume, Gothic vs. Romantic: A Reevaluation of the Gothic Novel, PMLA, 84 (1969), 288. 6 Stuart and Susan Levine, eds., The Short Fiction of Edgar Allan Poe (Indianapolis: Bobbs - Merrill, 1976), and Eric W. Architecture Essay. Carlson, Poe's Vision of cover letter, Man, R.P. Veler, ed., Papers on prison conclusion Poe (Springfield, Ohio: Chantry Music Press, 1972), pp.

7 - 19. 7 David Halliburton, Edgar Allan Poe: A Phenomenological View (Princeton: Princeton UP, 1973), pp. 217 - 18, brings the horror of the trainer narrator's defeat back into shakespeare and cleopatra the story as subordinate to the victory of letter, transcendent vision. 8 Sidney P. Moss, Poe's Apocalyptic Vision, R.P. Veler, ed. Papers on Poe, pp. 42 - 53 and G.R. Speer. Thompson Poe's Fiction (Madison: U of Wisconsin P, 1973), pp.

77 - 87. For a discussion of the cover letter views of Carlson, Moss, and Thompson, see G.R. Thompson, Poe and Nineteenth - Century Poetry, in J:A. Robbins, ed. American Literary Scholarship 1972 (Durham, North Carolina: Duke UP, 1974), pp. 212 - 14. 9 Joel Salzberg, The Gothic Hero in Transcendental Quest: Poe's 'Ligeia' and James' 'The Beast in the Jungle,' ESQ , 18 (1972), 113. 10 These definitions of terror and horror derive from modern usage, not from Ann Radcliffe's distinction in On the Supernatural in Poetry. Services Inc. It will be useful to notice that, according to the definitions I use in this essay, terror will vary according to the immediacy and intensity of the threat.

Horror will vary according to the moral deserts and the intensity of suffering of the victim. Trainer. Horror tends to antony, become terror, or to mix with it, when the psychological distance between oneself and the victim decreases. 11 Roy P. Basler began the controversy in his 1944 College English essay The Interpretation of Ligeia, reprinted in R. Regan, ed., Poe (Englewood Cliffs. New Jersey: Prentice - Hall. Cover Letter. 1967). pp. 51 - 63. Arguments from various points of view for a supernatural reading include James Schroeter, A Misreading of Poe's 'Ligeia,' PMLA, 76 (1961), 397 - 406; Edward Wagenknecht, Edgar Allan Poe (New York: Oxford UP, 1963), pp.

248 - 49, John Lauber 'Ligeia' and Its Critics: A Plea for Literalism. Studies in Short Fiction. 4 (1966).28 - 32: E..W. Carlson. Poe on the Soul of Man . ( Baltimore: The E.A. Poe Society and the Enoch Pratt Free Library. 1973). pp. 14 - 17. David Halliburton reads the story as both supernatural and psychological in Edgar Allan Poe , pp.207 - 18.

12 G. R. Thompson, ' Proper Evidences of Madness': American Gothic and the Interpretation of 'Ligeia,' ESQ , 18 (1972), 3049, and Daniel Hoffman. I Have Been Faithful toYou in My Fashion: The Remarriage of Ligeia's Husband, Southern Review, 8 (1972), 89 - 105. 13 James W. Gargano, Poe's 'Ligeia': Dream and Destruction, College English, 23 (1962), 335-42. 14 Joel Porte, Tire Romance in articles research, America (Middletown, Connecticut: Wesleyan UP, 1969), pp. 69 - 74. 15 Clark Griffith, Poe's ' Ligeia' and the English Romantics. Trainer. University of Toronto Quarterly , 24 (1954), 8 - 13, 16 - 25. 16 Thompson's arguments appear both in 'Proper Evidences of Madness': American Gothic and the Interpretation of informal essay marking rubric, 'Ligeia,' and in Poe's Vision, pp. 77 - 87.

17 Stephen L. Mooney, Poe's Gothic Wasteland, in C.W. Carlson, ed. The Recognition of Edgar Allan Poe (Ann Arbor: U of Michigan P, 1966), p. 295. 18 I am aware of an element of unfairness in subjecting previous readings to a double - bind. Such a judgment seems inevitable from the point of view argued in this essay, but it is cover letter trainer, not meant to exempt this essay from careful scrutiny or opposing arguments. 19 Edward Bullough, 'Psychical Distance' as a Factor in Art and an Aesthetic Principle, in Hazard Adams, ed., Critical Theory Since Plato (New York: Harcourt, 1971), p. 756. 20 Roman Ingarden, Aesthetic Experience and Aesthetic Object. Philosophy, and Phenomenological Research, 21(March 1961), 289 - 313. 21 Peter Penzoldt, TheSupernatural in Fiction (1952; New York: Humanities Press, 1965), pp. 146 - 91.

22 James is speaking of articles, his aims in The Turn of the Screw , Preface to 'The Aspern Papers,' in cover letter, The Art of the Novel (New York:, Scribner's, 1934, 1962), p. Paper. 172. 23 David H. Richter suggests that The Vicar o f Wakefield may break down structurally under the strain of attempting to encompass such an end, Fable's End (Chicago: U of Chicago P, 1974), pp. 171 - 76. 24 Samuel Monk, The Sublime (Ann Arbor: U of Michigan P, 1935), chapter 7. 25 Richard Poirier, A WorldElsewhere (New York: Oxford UP, 1966).

26 Nathaniel Hawthorne, The House of the Seven Gables (New York: Signet, 1961), p. 240, 27 C. B. Brown, Wieland (NewYork: Doubleday, 1962), pp. 100 - 104. 28 For a survey of the discussion of The Fall of the House of Usher, see E.W. Carlson, ed., Edgar Allan Poe: The Fall of the House of Usher, (Columbus, Ohio: Charles E. Merrill, 1971). This survey should be supplemented with Halliburton, with Thompson's Poe's Fiction, and with a suggestive essay about the story's formal structure by Walter Evans. 'The Fall of the House of Usher' and Poe's Theory of the Tale. Studies in Short Fiction,14 (1977 ),137 - 144. For a survey of discussions of letter, The Turn of the conclusion Screw, see Robert Kimbrough, ed.. Henry James: The Turn of the Screw (New York: W.W.

Norton, 1966). Cover Letter Trainer. Perhaps the most sophisticated argument yet to appear for a supernatural reading of James' novella is in Wayne C. Booth, Critical Understanding (Chicago : U of shakespeare antony and cleopatra, Chicago P, 1979), pp. 284 - 301. Letter. Booth bases his argument on - the limits imposed by how to essay an informed judgment of an author's capabilities. Were he to find this paper convincing, Booth might be able to revise his judgment of James' capabilities. 29 Philip Thomson, TheGrotesque (London: Methuen, 1972), p. 27. 30 Mathew Winston, Humour Noir and Black Humor, in Harry Levin. ed..

Veins of Humor (Cambridge: Harvard UP, 1972), pp. Letter. 269 - 84; and The Ethics of Contemporary Black Humor. The Colorado Quarter1y 24 (1976), 275 - 88. See also my Some Techniques of Black Humor, Thalia 2 (1979-80), 15-21.. 31 David I. Grossvogel, Mystery and Its Fictions (Baltimore: Johns Hopkins UP, 1979), p. 21. 32 S.S. Prawer, Caligari's Children: The Film as Tale of Terror (New York: Oxford UP, 1980), chapters 2, 4, and 8. 33 Barton Levi St.

Armand, The Roots of Horror in the Fiction of H.P. Lovecraft (Elizabethtown, New York: Dragon Press, 1977), pp. 59 - 77. 34 H.P. Lovecraft, Through the Gates of the Silver Key, At the Mountains of how to write, Madness (London: Panther, 1970), p. 281. 35 That terror fiction tests and strengthens the self seems to support Varma's argument that Gothic fiction originates out of the decline of religious belief in the eighteenth century ( The Gothic Flame, pp.

206 - 212). In the nineteenth and twentieth centuries, it has become increasingly clear how personal identity is cover, threatened by the loss of a sense of shakespeare essay, relatedness to the cosmos on a spiritual level, Perhaps there is so much modem horror fiction and cover letter, film because we need it now more than ever.

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Aids 2 Essay Research Paper How Aids. Aids 2 Essay, Research Paper. How Aids Has Affected Our Society. Today more Americans are infected with STD’s than at any other time in. history. The most serious of these diseases is AIDS. Since the first. cases were identified in cover the United States in 1981, AIDS has touched the. lives of millions of American families. This deadly disease is unlike. any other in modern history. Changes in social behavior can be directly. linked to AIDS.

Its overall effect on society has been dramatic. It is unknown whether AIDS and HIV existed and killed in the U.S. and. Professional Services. North America before the early 1970s. However in the early 1980s, “deaths by opportunistic infections, previously observed mainly in. tissue-transplant recipients receiving immunosuppressive therapy”, were. recognized in otherwise healthy homosexual men. In 1983 French. oncologist Luc Montagnier and letter, scientists at professional services inc the Pasteur Institute in. Paris isolated what appeared to be a new human retrovirus from the lymph. node of a man at risk for having AIDS. At the same time, scientists. working in the laboratory of American research, scientist Robert Gallo. at the National Cancer Institute, one of the National Institutes of. Health in Bethesda, Maryland, and a group headed by American virologist. Cover Trainer. Jay Levy at the University of California at San Francisco isolated a. retrovirus from people with AIDS and from individuals having contact. with people with AIDS. All three groups of marking, scientists had isolated what. is now known as HIV, the virus that causes AIDS.

In 1995 HIV was estimated to infect almost 20 million people worldwide, and several million of those people had developed AIDS. The disease is. obviously an important social issue. AIDS has caused many to cover letter, rethink their own social behavior. People are. forced to use caution when involving themselves in sexual activity. They must use contraception to avoid the dangers of infection. Many. people consider HIV infection and AIDS to be completely preventable. because the routes of prison essay, HIV transmission are so well known. Cover. To completely. prevent transmission, however, dramatic changes in articles sexual behavior and. drug dependence would have to occur throughout the world. Prevention. Cover Letter Trainer. efforts that promote sexual awareness through open discussion and condom. distribution in public schools have been opposed due to fear that these. efforts encourage sexual promiscuity among young adults. Similarly, needle-exchange programs have been criticized as promoting drug abuse. Essay Marking. Governor Christine Todd Whitman vetoed a bill in cover letter trainer New Jersey that tried. to create a needle-exchange program.

She was accused of being. “compassionless”. She replied that she could not allow drug addicts to. continue to break the law. By distributing needles, she felt that she. was, in fact, encouraging them to writing services inc, break the cover letter law. Prevention programs that identify HIV-infected individuals and good, notify. their sexual partners, as well as programs that promote HIV testing at. the time of marriage or pregnancy, have been criticized for invading. Efforts aimed at public awareness have been propelled by. community-based organizations, such as Project Inform and Act-Up, that. provide current information to HIV-infected individuals and to. individuals at risk for infection.

Public figures and celebrities who. HIV-infected or have died from AIDS-including American basketball player. Magic Johnson, American actor Rock Hudson, American diver Greg Louganis, American tennis player Arthur Ashe, and British musician Freddie. Mercury-have personalized the disease of AIDS and have thereby helped. society come to terms with the enormity of the epidemic. In memory of. those people who died from AIDS, especially in the early years of the. epidemic, a giant quilt project was initiated in which each panel of the. quilt was dedicated to the memory of an individual AIDS death. This. quilt has traveled on display from community to letter, community to promote. Informal Essay. The U.S. government has also attempted to assist HIV-infected. individuals through legislation and cover trainer, additional community-funding. Informal Essay Rubric. measures. In 1990 HIV-infected people were included in the Americans. with Disabilities Act, making discrimination against these individuals. for jobs, housing, and other social benefits illegal. Additionally, a. community-funding program designed to assist in the daily lives of. people living with AIDS was established.

This congressional act, the. Ryan White Comprehensive AIDS Resources Emergency Act, was named in. memory of a young man who contracted HIV through blood products and. became a public figure for his courage in trainer fighting the disease and. community prejudice. The act is still in place, although continued. funding for such social programs is under debate by current legislators. Writing. The lack of effective vaccines and antiviral drugs has spurred. speculation that the funding for letter trainer AIDS research is insufficient. Although. the prison conclusion actual amount of government funding for AIDS research is large, most. of these funds are used for expensive clinical studies to evaluate new. drugs.

Many scientists believe that not enough is known about the basic. biology of HIV, and they recommend shifting the emphasis of AIDS. research to basic research that could ultimately result in letter more. Most people agree that AIDS is a very important issue and cannot be. ignored. Personally, I believe that the country and and cleopatra, society is to blame. for the spread of AIDS. We let it get out of control. The modes of. transmission have been known for a considerable amount of time, yet the. disease still continues to spread. There are few people who can. honostly claim not to know the ways in which AIDS is transmitted. Similarly, there are very few people who don’t know the ways to cover letter, prevent. the spread of albert speer architecture, AIDS. These methods are very simple and easy to follow.

Yet, thousands will be infected this year alone. Another aspect of AIDS that up until very recently was a serious. problem is the treatment, or mistreatment, of those who are HIV. positive, but do not have AIDS. One of the most famous stories is letter, the. treatment of Ryan White. Shakespeare And Cleopatra Essay. He was not allowed to cover, attend a public school. because he had AIDS. His story was told and professional, people began to realize. that those with HIV can lead “normal” lives and must be treated equally. Fortunately, conditions have improved. Letter Trainer. It is hard to know what society might be like had it not been for. AIDS. It might be fair to assume that society in general would be much. more sexually promiscuous had AIDS not curbed this trend.

Another. effect that isn’t usually noticed at first glance is the creation of. Antony And Cleopatra. jobs. AIDS has made it necessary for thousands of workers in the. pharmaceuticals industry as well as research. Cover. Also, people have been. hired to counsel AIDS patients and write literature about the causes and. the methods of prevention. Even the arts have changed since AIDS came. about. Songs have been written. Movies have been made, such as ‘The.

In conclusion, the effects of AIDS on society are very far-reaching. They stretch from social behavior changes to informal rubric, a change in art and music. AIDS has caused all Americans to think about their lives and how fragile. life is. They must be careful and use caution. Hopefully, all of. society will one day know the causes of AIDS and the means of. Letter Trainer. prevention. They will take knowledge and apply it. With a cure and shakespeare essay, an. end to letter, the spread of this disease, society will survive and prosper. Martelli, Leonard J. and others. When Someone You Know Has AIDS.

Shilts, Randy. And the Band Played On. St. Martin’s, 1987. Politics,

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Some of society’s concept of a hero goes back to their childhood figure. An epic hero is a larger than life hero who embodies the values of a particular society. Cover Letter. An epic hero is shakespeare antony and cleopatra essay superhuman. He is braver, stronger, smarter, and cleverer than an ordinary person. Epic hero’s tend to be excellent leaders also who inspire many and take chances. Epic hero’s are great things for.

blessing. My family unlike others is small. We enjoy spending time with each other and making memories we will cherish forever. Cover Trainer. My mother had my brother at a very young age but unlike any other teenager at good, her age she did what she thought it was right which was keeping my brother. Trainer. Since that day my mother. John Proctor as a Tragic Hero. The Crucible.

John Proctor as a Tragic Hero In Arthur Miller’s The Crucible, a husband, John Proctor, deals with the good, traumatic stress of his wife, Elizabeth, and the accusations of witchcraft pressed onto her. John Proctor is cover letter put face-to-face with the men of the essay conclusion, court; while righteously defending his family. A hero journey is the growth of someone into a better person, by expanding their comfort zone. This journey has three parts to it. First, the cover trainer, hero is torn away from what he/she knows and good research paper put into new territory. Next, the cover letter trainer, hero faces a number of challenges to complete in order to shakespeare antony essay, prove her/himself. Finally.

MONTESSORl MOTHER LIBRARY Brigham Young University GIFT OF . enough to know someone that can make the biggest, scariest closet monsters disappear without a trace? Do you have a hero ? A hero is a person that influences you to letter trainer, better yourself. A hero should be someone who strives to make the world a better place to live, even by changing one person, who then will. My Heroes “ My Heroes” was written by how to in academic style Elizabeth Berg, who has published many popular books since 1993. Cover Letter. In the article, Berg told us that real heroes were ordinary people around us. Services Inc. Because Berg’s daughter chose her friend as a hero who saved her from drowning in a creek, Berg realized a hero wouldn’t. an epic hero of the cover letter trainer, poem entitled Beowulf, a composition from the essay rubric, Anglo-Saxon literature set in the 6th century. He was the strongest and most powerful warrior of the Geats and a nephew of King Higlac. In the poem, he defeated Grendel, a monster who is cover letter a descendant of Cain, Grendel's mother , and a fire-breathing. ? My Life Nikole Smith PSY 202 Chavonne McCall April 17, 2011 My Life Outline 1.What My Family Is Like A..Many Nationalities . Roda 09/08/09 Mr. Brunson My “perfect” family was shattered by a series of catastrophes beginning with my grandfathers’ death.

That same day, Elizabeth ran away from home. Then, that same week, Norberto got deployed to writing services, Iraq. In that same month, Dayana and my mom got diagnosed with psoriasis. Worst Day of My Life Think about the most terrifying scream you have ever heard, now intensify that by about a million times; that is the cover letter, scream I was woken up by at about 6:50 in the morning on April 23rd. This scream was coming from outside.

When I realized it was my mother screaming… my heart dropped. Macbeth: the prison conclusion, Downfall of a Tragic Hero. Macbeth, many instances lead to the downfall of a tragic hero . A tragic hero is cover trainer a character of courage and strength, who makes bad decisions that lead to tragedy. In this play, tragedy is caused by Macbeth and this makes him the conclusion, tragic hero who causes his own downfall and the downfall of others. The. Aaron Upright English Period One. A. Cover Trainer. Departure: My hero , is one that was born a hero . Albert Hall, was a young boy when he first realized something was different. He became to realize that people were talking to him, but with out moving lips. He was a mind reader, one of great traits. Albert became. The Odyssey - the Unnoticeable Hero.

Unnoticeable Hero In most epics, the hero seems to die at some point during the story. In The Odyssey, Odysseus encounters many trials and tribulations throughout his journey back to his native land of Ithaca, however he never ends up meeting a pleasant or even a cruel death. Is the passing of the hero , Odysseus. ? My Hero My hero is prison one that is very close to me. My hero is the person that gave birth to me.

My hero is my mother . I chose my mom as my hero because to me that is what she is and more. My mom is literally the backbone in the family. She takes care of everything in the family and cover letter trainer around the house. Sons Mothers Mother’s relationships, input and importance to their sons and daughters has been always a close and writing inc endearing one. For African-Americans this relationship was tested wearingly throughout American history. In the past many obstacles were faced by cover letter trainer African-American men. Madeline Kepics November 24, 2008 English My Big Robotic Hero Things were not looking good for prison essay conclusion, their planet, so to save the rest of them, he and a steady crew went across the cover letter trainer, galaxies to prison essay, get precious energon they needed to help their cause. However, the trainer, Decepticons were relentless in albert essay, their pursuit. Everyday Hero Now some people have hero’s that are celebrities or people who’ve made an letter trainer impact or done something to charge or help out in the world, but to me my hero is someone who I can talk to prison essay conclusion, everyday about anything I feel like, someone who will laugh with me, and most important someone who. Heroes: Hero and Good Moral Character.

? Last 1 First Last ENG 122 Professor Blank 24 Jan 14 A Hero Lies in All of Us? The dictionary refers to a hero as someone who is admired for letter trainer, his deeds, abilities or noble qualities. Essay. This could include anyone for trainer, anything! Today there are so many people that are considered heroes. ? A hero is usually perceived as an exceptional person set out on a quest to speer architecture essay, defeat a form of monster for the greater good of humanity. Cover Trainer. Heroes come in many forms, their quests differ, and the monsters vary, but their intentions are always selfless. I see my grandmother as a hero because she is an. definition of a hero is, “A mythological or legendary figure of good paper great strength or ability” (Merriam-Webster, 1997), and while that may be true, what may be one’s idea of a hero may not constitute someone else’s idea of a hero . My definition of a hero is someone that gives selflessly, speak to my soul, touch.

Victor Frankenstein – a Byronic Hero. Victor Frankenstein – a Byronic Hero Although some critics view Victor Frankenstein as a Tragic Hero because of cover trainer his one essential flaw, his overambitious desire to prison essay conclusion, discover what cannot be known, he is truly a Byronic Hero by definition. Although Victor is cover of a higher social class than the average person. it was three years ago when we won, Manning said. I know the people of New Orleans and paper the Saints have that same feeling right now. Hartley, the hero of the NFC title game with his 40-yard field goal in OT, made a 47-yarder later in the third quarter. After Matt Stover was wide left on a 51-yarder. Who is your hero ? This question often evokes a number of responses. The typical answer follows the cliched format of letter “ my mother ”, “ my father”, or that famous celebrity always seen on television.

This type of knee-jerk reaction stems from the idea that a hero is good articles someone who is universally inspirational. at the time but one who learned from the different places he has been and left even a mark there. Dr. Jose P. Rizal is the Philippine’s National Hero . He was born June 18, 1861 and died by trainer firing squad at Luneta Bagumbayan in how to, December 30, 1896. Cover Trainer. He is academician, a linguist, writer, historian,scientist. Technical Writing “ My Great Teacher also My Hero ” Objective/Purpose: To inspire and encourage many of us, also cheers us up to “Keep Looking Forward”. Speer. Description of Lesson: A teacher (also called a schoolteacher) is cover trainer a person who provides education for informal marking, students. Trainer. I decided to professional writing, start my compilation with. He Was My Hero My hero has always been my grandfather.

I prefer not to cover trainer, use his name in respect. He was always spoiling me and always taking me places that he had never taken me before. He taught me many life lessons. ?KCC Mr. Essay. Crider Summer Bridge July 19, 2013 My Hero It gets me through Last year, I went through the hardest things I've ever been faced with in my life. I lost my grandpa and two months later I lost my aunt and soon after our home was foreclosed on. This left me thinking, Is this. The Person Who Has Made a Difference in letter, My Life: My Mother. Difference in My Life: My Mother My mother is the most influential person in my life. She has taught me various things in life and her endless support has made a difference in how to write, my life.

One thing I have learned from her is how to have a successful business. Growing up and seeing my mom owning and. Have you ever wondered what a true hero is like? When people say hero , they usually think of cartoon characters like Superman, Spiderman, or SpongeBob. But for me, I will think of cover my mom. How To Write In Academic Style. My mom is caring, encouraging, and she loves me. Cover Letter Trainer. I won’t be able to make it to professional services, today if she had never taught me all.

qualities of a hero mean? Its simple qualities of a hero are what make a hero to become a special person for someone out cover letter, there in the world. Stockton’s “The Griffin amp; The Minor Canon” amp; Stone’s “Where I Find My Heroes” provide what are the paper, qualities of a hero . Also does Mariah Carey’s “ Hero ” and Bulfinch’s. Dreams from My Father - Barack Obama. Barack Obama – “Dreams From My Father-A Story of Race and Heritance” Today I want to introduce you United States President Barack Obama’s first memoir, dreams from cover, my father. It was first published in July 1995 as he was preparing to launch his political career.

Obama's March 2004 U.S. Senate Democratic. Beowulf the Epic Hero What does it mean to be a hero ? Like anything else in this world, the essay, definition of the word hero can be argued. Some may say that a hero can be passive, that is if he or she refrains from doing a certain action it makes them heroic. Others would argue that to cover letter trainer, be truly heroic.

Hero What is albert speer architecture essay a hero ? There are so many different answers to this question. Everyone has their own opinoin. You can't give the title strictly to letter, Spiderman or Batman. Not even Superman deserves to be soely called a so - called ' hero '. Wouldn't it be nice to how to style, live in cover, a fairytale world where. The Positive Significant Impact of My Mother. would love to antony and cleopatra essay, say that my mother had a positive significant impact on my life on reasons that could stretch to A1689-zD1 but I do not. Yes, my mother had a significant impact on my life but not the letter trainer, positive kind. I was born in Salisbury, North Carolina, a nice little drive away from my future home of Atlanta. My Role Model By: Davina Britt My role model is Steve Irwin - when you hear that name, you think of that crazy guy on television who jumps.

My Hero Eyes full of anger, face flustered with intense confusion, she screamed, “Rayburn! What do you think you are doing?” “I’m claiming this for myself.” I jokingly said with a mischievous grin. I knew beforehand that she would be angry, but I didn’t care I just wanted to see her reaction. Family Analysis Paper from Family Interventions both formal and informal. Introduction: My family shows signs of being a healthy family for the most part with a few exceptions.

The biggest exception is that the individuals are not assigned to professional, particular roles. This means that our roles. We Need a Hero : A Look at the Eight Hero Archetypes (May 14, 1999) By Tami Cowden I have never agreed with the old saw that all romances are alike. However, I do agree there are certain similarities. Besides the happy ending, you can count on a romance having a terrific hero – the kind of guy. dedicated to my dad and he will never read it. Sad thing.* When I was 16 I had to trainer, write an good paper essay in school about the letter trainer, person I admire the albert architecture essay, most.

So I wrote about my dad. My dad is not famous, nor is letter trainer he rich or talented. He is not a scientist or a professor. But he is the best man in my personal world. In the marking rubric, other story “Antigone”, Creon is the tragic hero that received the most hardships and cover sufferings.

Despite how much Oedipus may have obtained for the decision he made, it has been strongly suggested that Creon is definitely the marking rubric, more tragic hero than Oedipus by analyzing the intensity and amount.